large wall art ideas online-The exploration of different styles of oil painting,Great Big Canvas more than a decade ago, has been heated debate and bold practice.
It has now been renewed, and more urgently.
What a delight!
Ten years imprisonment, suffocation,Black And White Painting rigid art life, from the negative education we: in addition to content, also must pay attention to artistic expression.
People hate that kind of hypocrisy content, but also can not bear that kind of imitation of the form, style.
The content is fabricated and requires "verisimilitude".
There was no feeling, no life, and no condition for a model.
Had to copy pictorial, copy photographs, made artificial, the same.
Imposed on people in the arts, all are forced to "appreciate" and "love" a genre, of course to cause great antipathy and confrontation.
Against the hypocrisy of photography,Contemporary Painting 


is not generally opposed to realistic style, expression techniques.
Otherwise, you go to the other extreme.
But at the moment the main problem is getting out of the box.
The content (theme) of the restricted area is to break through naturally, the style of the restricted area does not matter?
And the problem seems far more complex.
It is easier said than done.
This is not without reason. A little change in the form of honesty can still be exhibited and published. A little change can easily be described as "formalism" and "aestheticism".
Artists naturally want to be careful, or "honesty" a little insurance, "honesty" is realistic meaning, and realism is "realism".
Where did this idea come from?
Originally involves the question of oil painting, has been popular two kinds of view: "the feature of oil painting is the sense of reality!"
", "western modernist painting is totally decadent and decadent formalism, there is no merit!"
This seems to be an unwritten code and standard that distinguishes realism from formalism.
It's a no-go area, it's an academic question, and it's even more of an issue that the gang of four has done away with.
Although long argued and never resolved, as long as we do not adopt the policy of prohibition and repression, we will be allowed to argue academically, to criticize each other, to seek truth from facts, and to acknowledge the objective existence of things.
This can only benefit the development of art.
Now mainly from the decorative style of oil painting-EXTRA LARGE CONTEMPORARY PAINTING (or decorative) this point of view.


From the practical aspect, this paper discusses the views on the development of decoration style in western modern painting school, and what lessons can be drawn from their history to explore the development and nationalization of our decorative style oil painting.
In the criticism to the oil painting work, often hears like this: "how can oil painting like this?"
It's not about the level of art, it's about the method of expression.
To put it plainly, "painting is characterized by authenticity".
Is this generalization accurate?
Not at all.
The concept of oil painting neither refers to the method of expression nor the aesthetic standard. It refers to the performance of tools, materials and types of painting, which is different from prints, watercolors and other types of painting.
A technique of expression, or even a work of the same style, can be very different from one another.
So why is this a habitual concept?
Maybe there's a historical reason for that.
Oil painting is a young kind of painting in China, without its own national tradition, imported from the west.
The accepted influence was mainly the European painting tradition in the 19th century, but the general development was still after the liberation. Therefore, the influence of the Russian touring tradition was also needed.
(in fact, there is no contradiction between the two traditions, which Russia also sent from Italy and France.)
Any underestimation of this achievement of introduction is inappropriate, it is a good foundation, and it has played a great part in the revolution, as it has done and will continue to do, and it is not over.
However, due to various conditions, the original works of masters of various styles and genres in Europe are too few, and even better prints are rare. Therefore, the style often seen becomes the main and orthodox, which creates an impression, as if oil paintings are painted like this!
This is only one factor, and more importantly, the one-sidedness of some Soviet art theorists in the 1950s and '60s gave us a lot of influence.
For example: the deification tour school master, enhances the Russian school of painting the status, completely denies the various schools after impressionism and so on.
By the seventies, that view had become even more absurd.
The proliferation of the false photography which masquerades as realism causes the situation of dethroning all schools and dominating the painting circle.